Description

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From E. Lockhart, author of the highly acclaimed, New York Times bestseller We Were Liars, which John Green called "utterly unforgettable," comes The Boy Book, the second book in the uproarious and heartwarming Ruby Oliver novels.

Here is how things stand at the beginning of newly-licensed driver Ruby Oliver's junior year at Tate Prep:

 • Kim: Not speaking. But far away in Tokyo.
 • Cricket: Not speaking.
 • Nora: Speaking--sort of. Chatted a couple times this summer when they bumped into each other outside of school--once shopping in the U District, and once in the Elliot Bay Bookstore. But she hadn't called Ruby, or anything.
 • Noel: Didn't care what anyone thinks.
 • Meghan: Didn't have any other friends.
 • Dr. Z: Speaking.
 • And Jackson. The big one. Not speaking.

But, by Winter Break, a new job, an unlikely but satisfying friend combo, additional entries to The Boy Book and many difficult decisions help Ruby to see that there is, indeed, life outside the Tate Universe.

About the Author

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E. Lockhart is the author of the highly acclaimed New York Times bestseller We Were Liars and the Ruby Oliver quartet (The Boyfriend List, The Boy Book, The Treasure Map of Boys, and Real Live Boyfriends), as well as Fly on the Wall, Dramarama, and How to Be Bad (the last with Sarah Mlynowski and Lauren Myracle). Her novel The Disreputable History of Frankie Landau-Banks was a Michael L. Printz Award Honor Book, a finalist for the National Book Award, and winner of a Cybils Award for Best Young Adult Novel. She lives in Brooklyn, New York.

Praise For…

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Praise for the boy book:
 
* “Ruby’s overanalytical, fast-paced and authentic narration will win over new devotees, while her loyal fans will no doubt hope for more.”—Publishers Weekly, Starred
 
“Teens will relate to the situations that Ruby finds herself in and learn from her skills about how to cope with the ‘minefield’ of crises that today’s teens face.”—School Library Journal
 
“Lockhart achieves the perfect balance of self-deprecating humor and self-pity in Ruby, and thus imbues her with such realism that she seems to almost fly off the page.”—VOYA