Description

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Nearly a quarter of the population of Budapest at the fin de siècle was Jewish. This demographic fact appears startling primarily because of its virtual absence from canonical histories of the city.

Famed for its cosmopolitan culture and vibrant nightlife, Budapest owed much to its Jewish population. Indeed, it was Jews who helped shape the city's complex urban modernity between 1867 and 1914. Yet these contributions were often unacknowledged, leading to a metaphoric, if not literal, invisible status for many of Budapest's Jews.

In the years since, particularly between the wars, anti-Semites within and outside Budapest sought to further erase Jewish influences in the city. Appellations such as the "sinful city" and "Judapest" left a toxic inheritance that often inhibited serious conversation or scholarly research on the subject.

Into this breach strides Mary Gluck, whose goal is no less than to retrieve the lost contours of Jewish Budapest. She delves into the popular culture of the city's coffee houses, music halls, and humor magazines to uncover the enormous influence of assimilated Jews in creating modernist Budapest. She explores the paradox of this culture, which was Jewish-identified yet lacked a recognizable Jewish face. Because much of the Jewish population embraced and promoted a secular, metropolitan culture, their influence as Jews was both profound and invisible.

About the Author

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Mary Gluck is a professor of history and Judaic studies at Brown University. She is the author of Georg Lukács and His Generation, 1900–1918 and Popular Bohemia: Modernism and Urban Culture in Nineteenth-Century Paris.

Praise For…

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"A magnificently consequential book. Gluck examines the vibrant modernist culture created largely by secular Jews in Budapest, in counterpoint to a backward-looking, nationalistic Hungarian establishment and a conservative Jewish religious elite."—Scott Spector, author of Violent Sensations: Sex, Crime, and Utopia in Vienna and Berlin, 1860–1914 —Scott Spector,author of Violent Sensations: Sex, Crime, and Utopia in Vienna and Berlin, 1860–1914

"Gluck's argument is so brilliant, perceptive, and clear that one can forget what a radical challenge it is to received opinion." —Steven Beller,editor of Rethinking Vienna 1900

"Both scholarly and entertaining."
—Jewish Currents